Out Of Hands We Go

by o'death

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quiet_calm_deceased It's the most metal folk music I have ever witnessed! This band is amazing! Favorite track: Apple Moon.

Lute FP The ‘Gothic Americana’ genre may be my favorite, when done right. O’Death certainly falls under the blanket, yet until this album I never got into them. There’s something here that does it for me.

Pan Great band. Apocalyptic folk. Death country. Whatever name you call it, deep and resoning. Favorite track: Apple Moon.

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1.	Herd 03:53	buy track
2.	Wrong Time 03:43	buy track
3.	Roam 03:56	buy track
4.	All Is Light 03:19	buy track
5.	Wait For The Fire 05:33	buy track
6.	Go & Play With Your Dead Horses 01:38	buy track
7.	Apple Moon 04:00	buy track
8.	When My Dog Gets Out Let Him Run 00:36	buy track
9.	We Had a Vision 06:25	buy track
10.	Heal in the Howling 03:01	buy track
11.	Isavelle 04:51	buy track
12.	Reprise 02:56	buy track

about

As o’death wrapped up production on their third studio album Outside at the end of 2010, lead-singer/guitarist Greg Jamie relocated to Biddeford, Maine, to take over a local music and arts venue and turn it into The Oak and The Ax. Since then, Maine and The Oak and The Ax have become a second home for o’death and eventually the location for the recording of their fourth full-length studio album.

The band convened in South Portland, ME, to work with lo-fi recording guru, Caleb Mulkerin (Big Blood, Fire On Fire, Cerberus Shoal) and to take advantage of the homey space in Biddeford they had performed in many times since 2011. On Out of Hands We Go, o’death return to a focus on live performances with Jamie’s voice and lyrics planted firmly in the center of the band’s dynamic arrangements, a stark departure from the multi-tracked and meticulously overdubbed Outside.

Greg Jamie’s strength as a lyricist is his ability to create evocative images and details that come together to form a narrative if the listener is ready to walk the path. Out of Hands We Go contains stories of a more personal nature, abandoning horror-film vignettes in favor of heartbreak (“Heal In The Howling,” “Herd,” “Apple Moon,”), defiance (“Roam,” “Wrong Time,” “Wait For Fire”) and ultimately triumph (“All Is Light,” “We Had A Vision”) before culminating in the climactic “Isavelle” that fires on all dramatic cylinders.

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released October 7, 2014

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o'death New York, New York

odeath.net

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